Peter takes a painterly approach to the surface design of his glass. Large fields of solid color are balanced by more intricate
and defined design elements. Layers of contrasting colors and patterns merge and then separate, creating windows in which to view
the depths below. The imagery, although intentionally abstract, recalls life beneath the ocean. Forever moving and sustaining life,
the ocean is a constant source of inspiration for him to draw, and has provoked such well know
glassworks as the WAVE series, the BARNACLE series, and the SHORELINE SHARD series.
Another strong force influencing Peter's work is music. He appreciates a wide variety of music and use music to renew his spirit and free his soul. Creating music, as in creating handblown glass, involves an orchestrated team of players. Each player is fine tuned and synchronized under the direction of the maestro; each contributes his personal rhythm in response to the group's rhythm and each is dedicated to the final piece - a masterpiece , that will move its audience and have them call for more! The culmination of these inspirational forces can be seen in their Oceanic Concert Series; which is a visual testament to their love of the sea and music. Some of the pieces in this series suggest musical "sea instruments" - like trumpets (i.e. OCEAN JAZZ sculptures), while others might make one think of miniature "sea symphonies" (i.e., SEA SYMPHONY sculptures) and "waves" that rock and roll (i.e., ROCK & ROLL WAVE vessels).
Peter is proud of the fact that Ridabock Glass is a small studio, geared towards creating original, one-of-a-kind work. The production is limited because Peter is involved in the execution of every glass piece. The work is such a personal expression of Peter's, that only he can make it. It is this personal touch that makes Ridabock pieces truly works of art, of the highest quality. Superior quality design and craftsmanship are Peter's first priority, and this is why his hands can be seen in every glass piece they make; a claim not all glass artists and studios can make.
Peter is always creating new visual and technical challenges for themselves, and hope that some of the joy in making his glasswork is passed on to the people who purchase it.
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| Professional Experience |
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2003 - Present. |
Owner of Ridabock Hand Blown Glass Studio and Gallery in Salisbury, MA |
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1996 - 2003 |
Owner of Ridabock Hand Blown Glass Studio and Gallery in Newburyport , MA |
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1988 - Present. |
Co-owner of Ridabock Hand Blown Glass Studio and Gallery. Tiverton Four Corners, RI; 1990-1996: York, ME; 1988-1990: Portsmouth, NH |
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1996 - Present. |
Glass Blowing Instructor, Four Corners Art Center, Tiverton Four Corners, RI |
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1990 - Present. |
Glass Blowing Instructor, Ridabock Hand Blown Glass Studio |
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1980-1989 |
Professor of Glass, Franklin Pierce College, Rindge, NH |
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1983 |
Teaching Assistant to Toots Zynsky; Haystack Mountain School of Crafts |
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1982 |
Teaching Assistant to Sylvia Vigiletti; Penland School of Crafts |
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1981 |
Teaching Assistant to Henry Halem; Penland School of Crafts |
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1980 |
Teaching Assistant to Fritz Dreisbach; Pilchuck Glass School |
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1980 |
Assisted on Dale Chihuly's Glass Team; Pilchuck Glass School |
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1979-1980 |
Glass Blowing Assistant to David Huchthausen; Milropa Studio; Queens, NY |
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1979 |
Teaching Assistant to Fritz Dreisbach; Pilchuck Glass School |
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1979 |
Teaching Assistant to Fritz Dreisbach; Penland School of Crafts |
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1978 |
Teaching Assistant to Richard Ritter; Penland School of Crafts |
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| Education |
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1976/82/83 & 1989 |
Haystack Mountain School of Crafts; Deer Isle, ME; Studied Glass with Robert Coleman, Richard Royal, Ben Moore, Fritz Dreisbach and Toots Zynsky |
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1977 -1982 |
Penland School of Crafts; Penland, NC; Studied Glass with James Nadel, Henry Halem, Fritz Dreisbach, Sylvia Vigiletti and Richard Ritter |
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1978 - 1980 |
Pilchuck Glass School; Stanwood, WA; Studied Glass with Dale Chihuly, Fritz Dreisbach and Dan Dailey |
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1976/1977 |
New York Experimental Glass Workshop; NY, NY; Studied Glass with Richard Yelle and Joe Upam |
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1975/1976 |
The New School; NY, Classes in Metal Sculpture and Jewelry; Studied Glass with Paul Siede |
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1975 |
Greenwich House Pottery; NY, NY; Class in Ceramics |
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1974/1975 |
Silvermine Art Guild; New Canaan, CT; Classes in Drawing, Oil Painting, Sculpture, Photography and Ceramics |
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1970 - 1973 |
Darien High School; Darien, CT |
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| Awards |
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1984 |
Recieved Fellowship to The Creative Glass Center of America, Millville, NJ |
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1984 |
Rakow Award (Tied for Award, Given Honorable Mention) |
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| Shows & Exhibitions |
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1996/1997 |
Featured Artist, Gingerbread Square Gallery, Key West, FL |
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1996 |
Group Show, Hanson Gallery, Knoxville, TX |
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1995/1997 |
Paradise City Arts Festival, Northampton, MA |
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1994/1997 |
Current American Glass and Dinner For Two, Philabaum Art Glass, Tuscan,AZ |
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1990/1995 |
Crafts At The Castle, Boston, MA |
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1995 |
The Guilford Hand Crafts Exposition, Guilford, CT |
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1995 |
One of a Kind Pieces of Wood and Glass, The Sharon Art Center, Sharon, NH |
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1994/1995 |
Designer Crafts Exposition, NY, NY |
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1995 |
Handmade in The USA, NY, NY |
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1994 |
North American Glass, Guilford Handcraft Center, Guilford, CT |
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1992 |
Reflections, Bell Ross Fine Art Gallery, Memphis, TN |
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1991 |
Group Show, Judith Wolov, Boston, MA |
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1990 |
Group Show, Carol James, Royal Oak, MI |
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1989/1990 |
Group Show, A Gather of Glass, Mindscape Gallery, Evanston, IL |
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1989/1990 |
Group Show, Elizabeth Fortner Gallery, Santa Barbara, CA |
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1989 & 1990 |
Contemporary Imagery, Group Show, Eileen Kreman Gallery, Fullerton, CA |
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1986 & 1987 |
Feature and Group Shows, Del Mano Gallery, Los Angeles, CA |
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1986 - Present. |
ACE Craft Exhibition, Baltimore, MD |
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1985 - Present. |
ACE Craft Exhibition, W. Springfield, MA |
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1986 & 1987 |
Glass Spectrum 2 & 3, The Craftsman Gallery, Scarsdale, NY |
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1985 |
International Juried Art Competition, Heller Gallery, NY, NY |
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1984 |
Group Show: Glass, Wood, Fiber, Metal; Endleman & Kraus Galleries |
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1982 |
Make It New, All Crafts Media Within New England, Paul Creative Art Center, University of New Hampshire, Durham, NH |
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| Publications |
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Jan. 1998 |
The Crafts Report Magazine, Cover |
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Jul. 1997 |
Rhode Island Monthly Magazine |
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Oct. 1997 |
The Boston Globe Newspaper |
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Oct. 1996 |
Providence Journal Bulletin Newspaper, Providence, RI |
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Feb. 1996 |
The Baltimore Sun Newspaper, Baltimore, MD |
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Nov. 1996 |
Traveler Newspaper, RI Edition |
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Aug. 1996 |
The Boston Globe Newspaper, Boston, MA |
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Aug. 1996 |
Sakonnet Times Newspaper, Middletown, RI |
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Jun. 1996 |
North of Boston Magazine |
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Jul. 1995 |
The Shoreliner Newspaper, Guilford, CT |
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Jul. 1995 |
The Day Newspaper, Guilford, CT |
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Dec. 1994 |
The Gallery Guide, New England/Boston |
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May 1994 |
The Keene Sentinel Newspaper, Keene, NH |
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Mar. 1994 |
The Crafts Report Magazine |
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Apr. 1992 |
The Commercial Appeal Magazine, Memphis, TN |
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Jun. 1984 |
The New Haven Standard Times Newstoatner. New Haven,. CT |
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Questions or Comments, Peter at Ridabock Glass.
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